Who Watches the Watchmen?
"Rampart"
(2011) Review
Rampart
is, for what it's worth, on of the best written, engaging, and fascinating
films written in recent years, yet had the deplorable aftertaste of a vile and
sickening protagonist.
The film,
taking place in the late nineties in a modern film noir LA, carries with it a
tension that is not resolved even at the end of the film. Following officer
David Douglas Brown, the film recounts the end of his career (perhaps). This
comes as Brown (Woody Harrelson), whom his daughter describes as a,
"dinosaur... classic racist, a bigot, a sexist, a womanizer, a chauvinist,
a misanthrope, homophobic..." who becomes wrapped up in a series of
scandals which result in his demise. In addition to this, Brown faces the end
of his marriage which appears from the film's set up to be to two sisters
(though apparently he is only married to one hex sill sleeps with the other
too).
This
makes for a great story, yet ultimately, Brown is such a vile character that
the normal sympathy I, as a viewer, would feel for him, is lost into the ethos
of Brown's self-destructive and creepy personality. Harrelson has an amazing
performance with line delivery and cadence that send shivers through the spine,
yet the film is still difficult to watch. Even with cameos form Sigourney
Weaver, Steve Buscemi, Ben Foster, and Ice Cube (his finest acting sine
"Are we There Yet?") who provide interesting side shows and
ultimately characters adding to the complex mosaic of Brown's life.
This
film, however presents a story arc, cinematographic style, and editing
techniques who h challenge any conventional film creating a film so different
it was as if seeing color in the movies for the first time.
So is this
a good movie? Yes, but it is still hard to watch as it tastes of bile. Though
many critics give it accolades, I would be more hesitant in my praise calling
it a good film, yet without good people, making the film ultimately distant and
detached.
Stars: 4.5/5
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